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Agony.
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Agony.
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Agony.
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.
Genauer, Emily. "Questions of Museum Policy Raised By Statement of Three Institutions." New York Herald Tribune,
April 2, 1950, discussed, as "one more [painting] by the late Arshile Gorky"
.
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Agony.
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March 29, 1950, discussed, p. 27, as
Agony.
Devree, Howard. "By Contemporaries." New York Times,
April 2, 1950, discussed, sec. 2, p. 8, as
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de Kooning, Elaine. "Gorky: Painter of his Own Legend." Artnews (New York) (January 1951), discussed, p. 65, as
Agony.
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Agony.
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Agony.
Baur, John I.H. Revolution and Tradition in Modern American Art. Cambridge, MA:
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1951, ill. in b/w, fig. 91, n.p., as
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January 7, 1951, ill. in b/w, sec. 2, p. 9, as
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Agony.
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February 18, 1951, discussed, sec. 2, p. 6, as
Agony.
Fitzsimmons, James. "Art for Export: Will It Survive the Voyage?" Art Digest (New York) (January 1, 1952), discussed, p. 9, as
Agony.
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1952, pl. XXXVII, ill. in b/w, as
Agony.
Angell, Roger. "Museum of Modern Art." Holiday Magazine (New York) (November 1953), ill. in color (installation view), pp. 60–61, as
Agony.
Stahly, François. "Pariser Kunstchronik." Werk (Bern, Switzerland) (1953), ill. in b/w, p. 92, as "L'Angoisse"
.
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The Museum of Modern Art, distributed by Simon and Schuster,
1954, ill. in color, p. 175, as
Agony.
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Agony.
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John I.H. Baur, ed. Greenwich, CT:
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Agony.
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The Macmillan Company for the Whitney Museum of American Art,
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Monograph, pl. IV, ill. in color, as
Agony.
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.
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The Museum of Modern Art,
1958, discussed, p. 27, as
Agony.
"Abstracte kunst uit Amerika en van Nederlanders." Nieuwe Rotterdamse Courant (Amsterdam),
November 15, 1958, ill. in b/w, as "Angst"
.
"Abstract Expressionism Abroad." Time (New York) (August 4, 1958), ill. in color, p. 44, as
Agony.
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Partisan Review (New York) (Winter 1958), discussed, p. 160, as
Agony.
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.
Late Drawings by Gorky. New York:
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Exhibition catalogue (1959b New York), no. 39, ill. in b/w (in situ), as
Agony in in "Gallery View, Gorky Exhibition, December 1957"
.
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Agony.
Barilli, Renato. "La Pittura di Arshile Gorky." La Biennale (April–June 1961), ill. in color, p. 17, as
Agony.
Reiff, Robert F. "A Stylistic Analysis of Arshile Gorky's Art from 1943–1948." Ph.D. diss., Columbia University, New York,
1961, fig. 54, ill. in b/w, p. 332, as
Agony.
Boatto, Alberto. "L'itinerario di Gorky." Arte Oggi (Rome) (June–December 1962), discussed, p. 11, as "Agonia"
.
Debran, Jane. "The Genius of Gorky on View." Brooklyn Daily Eagle (New York),
December 28, 1962, ill., p. 8, as
Agony.
Goldwater, Robert. "The Genius of the Moujik." Review of Arshile Gorky: The Man, the Time, the Idea, by Harold Rosenberg.
Saturday Review (New York) (May 19, 1962), discussed, p. 38, as
Agony.
Rosenberg, Harold. Arshile Gorky: The Man, the Time, the Idea. New York:
Horizon Press,
1962.
Monograph, ill. in color, pp. 38–39, as
Agony.
Ashton, Dore. "Arshile Gorky peintre romantique." XXe siècle (Paris) (June 1962), ill. in color (repr. in reverse), p. 81, as "Agonie"
.
Ahlander, Leslie Judd. "Gorky, Greene Are on Exhibit." The Washington Post,
March 17, 1963, discussed, p. G6, as
Agony.
Alloway, Lawrence. "Gorky." Artforum (San Francisco) (March 1963), discussed, p. 30, as
Agony.
Dennison, George. "The Crisis Art of Arshile Gorky." Arts Magazine (New York) (February 1963), ill. in b/w, p. 17, as
Agony.
Kramer, Hilton. "Art." The Nation (New York) (January 12, 1963), discussed p. 39, as "The Agony"
.
Rubin, William. "Arshile Gorky, Surrealism, and the New American Painting." Art International (Paris) (February 25, 1963), ill. in b/w, p. 36, as
Agony.
Wilson, Jack. "Where We Stand: Our Planet." Look Magazine (Des Moines) (January 15, 1963), ill. in color, p. 37, as
Agony.
Reiff, Robert. "The Late Works of Arshile Gorky: A Critical Estimate." Art Journal (New York) (Spring 1963), fig. 2, ill. in b/w, p. 151, discussed, p. 150, as
Agony.
Ashton, Dore. "New York." Das Kunstwerk (Stuttgart, Germany) (April 1963), discussed, p. 31, as
Agony.
Hoyland, Francis. "The composer." The Listener (London) (April 15, 1965), discussed, p. 568, as
Agony.
Seddon, Richard. "Tate Gallery Show." Birmingham Post (England),
April 6, 1965, discussed, p. 18, as
Agony.
Spencer, Charles S. "Gorky Art On View In London." New York Times International,
April 13, 1965, ill. in b/w, as
Agony.
Levy, Julien. Arshile Gorky. New York:
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Agony.
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Frederick A. Praeger, Inc.,
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Mooradian, Karlen. "Arshile Gorky: The Prompter." Harvard Art Review (Cambridge, MA) (Winter 1967), ill. in b/w, p. 37, as
Agony.
Christensen, Erwin O. A Guide to Art Museums in the United States. New York:
Dodd, Mead & Company,
1968, fig. 178, ill. in b/w, p. 81, as
Agony.
Passeron, René. Histoire de la peinture surréaliste. Paris:
Librairie Le Livre de Poche,
1968, fig. 140, ill. in b/w, p. 244, as "Agonie"
.
Rubin, William S. Dada and Surrealist Art. New York:
Harry N. Abrams, Inc.,
1968, fig. 413, ill. in b/w, p. 397, as
Agony.
Alexandrian, Sarane. L'art surréaliste. Paris:
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.
Reiff, Robert. "A Drawing by Arshile Gorky: A Study for Agony." North Carolina Museum of Art Bulletin (Raleigh) (June 1969), fig. 2, ill. in b/w, p. 19, as
Agony.
Rosenberg, Harold. Artworks and Packages. New York:
Horizon Press,
1969, ill. in b/w, p. 203, as
Agony.
Alexandrian, Sarane. Surrealist Art. New York and Washington, D.C.:
Praeger Publishers,
1970, fig. 176, ill. in color, p. 176, as
Agony.
Castagnoli, Pier Giovanni. "Arte 'per il popolo' e solitudine dell'uomo. De Kooning e Gorky alla ricerca del 'capolavoro.'" Il Mulino (Bologna) (May–June 1971), discussed, p. 538, as "Agonia"
.
Hunter, Sam. American Art of the Twentieth Century. With sections on architecture by John Jacobus. New York:
Harry N. Abrams,
1972, 1973, pl. 414, ill. in b/w, p. 229, as
Agony.
Calas, Nicolas. "A Tough Nut to Crack." Artforum (New York) (May 1975), ill. in b/w, p. 49, as
Agony.
Kagitani, Y. "Arshile Gorky: A Man Who Lived in the Middle of Solitude." Mizue (Tokyo) (September 1976), ill. in color, p. 27
.
Barr, Alfred H., Jr., ed. Painting and Sculpture in the Museum of Modern Art, 1929–1967. New York:
The Museum of Modern Art,
1977, ill. in b/w, p. 309, as
Agony.
Pohribny, Arsén. Abstrakte Malerei. Freiburg, Basel, Vienna:
Herder,
1978, no. 44, ill. in color, p. 78, as "Agonie"
.
Pohribny, Arsén. Abstract Painting. Oxford and New York:
Phaidon Press Limited and E.P. Dutton,
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Agony.
Rand, Harry. Arshile Gorky: The Implication of Symbols. London and Montclair, N.J.:
George Prior and Allanheld & Schram,
1980, 1981.
Monograph, fig. 12–1, ill. in b/w, p. 178, as
Agony.
Cullinan, Helen. "The First and Last of Arshile Gorky." The Plain Dealer (Cleveland),
July 5, 1981, ill. in b/w, as
Agony.
"Arshile Gorky Retrospective." Dallas Museum of Fine Arts Bulletin (Fall 1981), ill. in b/w, as
Agony.
Duppen, Leo. "De Poetische Schilderkunst van Arshile Gorky." Kunstbeeld (Amsterdam) (June–July 1981), ill. in b/w, as
Agony.
Hughes, Robert. "Art: The Triumph of Achilles the Bitter." Time (New York) (May 11, 1981), discussed, p. 81, as
Agony.
Jordan, Jim M. "Gorky at the Guggenheim." Art Journal (New York) (Fall 1981), discussed, p. 264, as
Agony.
Larson, Kay. "The Man Who Would Be Best." New York (May 11, 1981), discussed, p. 73, as
Agony.
McGregor, John M. "Arshile Gorky's Agony: The Phallus and the Flame." Express (New York) (Summer 1981), ill. in b/w, p. 5, as
Agony.
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Agony.
Morgan, S. "Becoming Arshile Gorky." Artscribe (London),
(October 1981), discussed p. 22, as
Agony.
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Agony.
Jordan, Jim M., and Robert Goldwater. The Paintings of Arshile Gorky: A Critical Catalogue. New York and London:
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1982, pl. 10, ill. in color, p. 114, as
Agony.
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1982, fig. 87, ill. in b/w, p. 255, as
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Art Journal (New York) (Spring 1982), discussed p. 77, as
Agony.
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Agony.
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Agony.
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Harvard University Press for the National Gallery of Art,
1983, fig. 88a, ill. in color, as
Agony.
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Agony.