"Special issue on Gorky in Italian and English with text by Toti Scialoja and excerpts from Schwabacher 1957." Arti Visive (Summer 1957), no. 7, ill. in b/w, as
The Opaque.
Tillim, Sydney. "Arshile Gorky." Arts Magazine (New York) (April 1962), discussed p. 50, as
The Opaque.
Levy, Julien. Arshile Gorky. New York:
Harry N. Abrams, Inc.,
1966.
Monograph, pl. 198, ill. in b/w, p. 222, as
The Opaque.
Rand, Harry. "The Calendars of Arshile Gorky." Arts Magazine (New York) (March 1976), discussed pp. 77–79, as
The Opaque.
Rathbone, Eliza E. "Arshile Gorky: The Plow and the Song." In
American Art at Mid-Century: The Subjects of the Artist.
Washington, D.C.:
National Gallery of Art,
1978.
Exhibition catalogue, fig. 32, ill. in b/w, p. 77, as
The Opaque.
Rand, Harry. Arshile Gorky: The Implication of Symbols. London and Montclair, N.J.:
George Prior and Allanheld & Schram,
1980, 1981.
Monograph, fig. 8–21, ill. in b/w, p. 135, as
The Opaque.
Jordan, Jim M. "The Paintings of Arshile Gorky: New Discoveries, New Sources, and Chronology." In
The Paintings of Arshile Gorky: A Critical Catalogue,
by Jim M. Jordan and Robert Goldwater.
New York and London:
New York University Press,
1982, discussed p. 91, as
The Opaque.
Jordan, Jim M. "Catalogue Raisonné of Paintings." In
The Paintings of Arshile Gorky: A Critical Catalogue,
by Jim M. Jordan and Robert Goldwater.
New York and London:
New York University Press,
1982, no. 346, ill. in b/w, pp. 524–25, as
The Opaque.
Donnell-Kotrozo, Carol. [no title]. Review of Arshile Gorky: The Implications of Symbols, by Harry Rand.
Journal of Aesthetics and Art Criticism (Hoboken, NJ) (June 1983), discussed p. 462, as
The Opaque.
Rand, Harry. Arshile Gorky: The Implication of Symbols. Rev. ed. Berkeley and Los Angeles:
University of California Press,
1991.
Monograph, fig. 8–21, ill. in b/w, p. 154, as
The Opaque.