Reverse, upper stretcher bar, left [possibly in artist's hand]: THEY WILL TAKE MY ISLAND; center [not in artist's hand]: ↑; 62.1182; center stretcher bar: REYNAL
The reverse inscription information and marking on the upper and center stretcher bar are known from a photograph provided by the Art Gallery of Ontario, Toronto.
Commentary
The painting's overall composition is prefigured in a drawing of the same year (see related work).
The painting is one of the nine canvases that were included in Gorky's debut solo show at the Julien Levy Gallery in New York. Although the show itself was not favourably covered, this painting was celebrated. In his largely negative review, the influential critic Clement Greenberg (1909–1994) extolled: "The most recently executed picture at his show, called They Will Take My Island—black looping lines and transparent washes on a white ground—indicates a partial return to serious painting and shows Gorky for the first time as almost completely original."1 The painting would go on to foreshadow much of Gorky's work from 1945.
Its title was selected with the help of André Breton (1896–1966) who visited Gorky in Roxbury, Connecticut, on New Year's Eve 1945, and multiple times in his studio at 36 Union Square, before the exhibition opened in March 1945.
Agnes "Mougouch" Gorky (1921–2013) later explained the resulting method's genesis in a collaborative play of associations: "Breton told Gorky to bring out his work and to talk about each one as it came up, which Gorky did, very freely and easily. Breton chose an appropriate fragment from Gorky's words. After a while, Gorky got the hang of it, and could cho[o]se titles by himself. . . . For later shows this [collaboration] was not necessary—[Gorky] found a title easily—but for many years before 1945 he hadn't thought in terms of titles as no painting ever seemed finished to him."2 According to Mougouch, "words, explanations and titles did not interest [Gorky] unless they aroused some remembered feeling."3
1. Clement Greenberg, "Art," The Nation (New York) 160 (March 24, 1945): 343.
2. Agnes Gorky Fielding, interview by Matthew Spender, October 1, 1991, transcript, Matthew Spender Papers, AGF Archives; see also: Agnes Gorky Fielding, "How Breton and Gorky Worked on Titles," December 22–28, 1993, in Matthew Spender, ed., Arshile Gorky: The Plow and the Song: A Life in Letters and Documents (Zurich: Hauser & Wirth Publishers, 2018), 336.
3. Cosima Spender, interview with Agnes "Mougouch" Gorky Fielding, in Tate Etc. (Issue 18: Spring 2010), https://www.tate.org.uk/tate-etc/issue-18-spring-2010/my-gorky.