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Commentary
The painting is a portrait of Gorky’s younger sister Vartoosh Mooradian (née Adoian; 1906–1991). For a period of four years and eight months—between June 1915, when forcibly displaced by the Armenian genocide, and February 26, 1920, when Gorky and Vartoosh arrived at Ellis Island aboard the S.S. Presidente Wilson, an Italian ship—the two siblings emigrated together to the United States stopping at ports including Batumi, Georgia; Constantinople (present-day Istanbul); Athens; Patras, Greece; and Naples.
For just over a year beginning in September 1935, Vartoosh, her husband Moorad (1896–1963), and their young son Karlen (1935–1990), lived with Gorky in his studio at 36 Union Square in New York. During their stay Gorky made a pencil drawing of Vartoosh. In a letter to his sister from late 1937, by which point the Mooradians had moved to Chicago, Gorky states that "from that [drawing] I have made four very magnificent oil paintings," of which this is one (see also P111 and P113; the fourth is unidentified).1 As Gorky never succeeded in delivering these paintings to Vartoosh, the oil portrait was given to her by the Estate of Arshile Gorky after the artist's death.
Although the title is identified as lifetime in Jim M. Jordan's catalogue raisonné, there is no known extant documentation confirming its origin with the artist and we have therefore designated it as posthumous.2
1. Letter from Arshile Gorky to Vartoosh Mooradian, [September or December] 18, 1937, Arshile Gorky/Mooradian Archive, Eastern Diocese of the Armenian Church of America, New York. Arshile Gorky to Vartoosh Mooradian, [Month unknown] 18, 1937, in Matthew Spender, ed., Arshile Gorky: The Plow and the Song: A Life in Letters and Documents, trans. Father Krikor Maksoudian (Zurich: Hauser & Wirth Publishers, 2018), 154, 156.
2. Jim M. Jordan, "Catalogue Raisonné of Paintings," in The Paintings of Arshile Gorky: A Critical Catalogue, by Jim M. Jordan and Robert Goldwater (New York and London: New York University Press, 1982), 241.