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Tom Loonan and Brenda Bieger; © The Arshile Gorky Foundation / Artists Rights Society (ARS), New York. Image courtesy Albright-Knox Art Gallery
P281
The Liver is the Coxcomb
1944
Oil on canvas
73 1/4 x 98 3/8 in. (186.1 x 249.9 cm)
Front, upper left: A. Gorky / [paraph] / 44
Reverse not seen
Reverse not seen
Provenance
The artist
Jean Hebbeln, Sherman, Connecticut, gift of the artist (after November 1944)
[Sidney Janis Gallery, New York (by February 1953)]
Albright Art Gallery [now Buffalo AKG Art Museum], Buffalo, New York, by gift (March 13, 1956)
Exhibitions
1944 Janis likely
Sidney Janis (organizer), Mortimer Brandt Gallery, New York, Abstract and Surrealist Art in America: Fifty Paintings by Outstanding Artists, November 29–December 30, 1944, no. 31, as "Painting," dated 1944.1947 Paris
Galerie Maeght, Paris, Le Surréalisme en 1947: Exposition Internationale du Surréalisme présentée par André Breton et Marcel Duchamp, July 7–September 30, 1947, [not in catalogue].1948c New York
Julien Levy Gallery, New York, Arshile Gorky, 1905–1948, November 16–December 4, 1948, no. 3, as The Liver is the Coxcomb.1951a New York
Whitney Museum of American Art, New York, Arshile Gorky Memorial Exhibition, January 5–February 18, 1951, no. 33, ill. in b/w, p. 31; p. 47, as "The Liver is the Cock's Comb" (exhibited in New York only). Traveled to: Walker Art Center, Minneapolis, March 4–April 22, 1951; San Francisco Museum of Art, California, May 9–July 9, 1951.1952 Princeton
Princeton University Art Museum, New Jersey, Arshile Gorky: A Loan Exhibition of Paintings and Drawings, October 6–26, 1952, no. 10, as "The Liver is the Cock's Comb".1953b New York
Sidney Janis Gallery, New York, Arshile Gorky in the Final Years, February 16–March 14, 1953, no. 5, as "The Liver is the Cock's Comb".1954a New York
Sidney Janis Gallery, New York, 9 American Painters Today, January 4–23, 1954, as The Liver is the Coxcomb.1957 Buffalo
Albright Art Gallery, Buffalo, New York, Contemporary Art Acquisitions 1954–1957, May 15–June 15, 1957, no. 6, ill. in b/w, p. 20, as "The Liver is the Cock's Comb".1958 Cleveland
Cleveland Museum of Art, Some Contemporary Works of Art, November 11–December 31, 1958, no. 20, ill. in b/w, as "The Liver is the Cock's Comb".1959 Kassel
Documenta II, Museum Fridericianum, Kassel, Germany, II. Documenta '59: Kunst nach 1945, July 11–October 11, 1959, no. 2, p. 184, as "The Liver is the Cock's Comb".1960 Bennington
Bennington College, Vermont, Surrealist Art: an Exhibition of Paintings and Sculpture, 1913–1946, April 7–29, 1960, no. 14, as "The Liver is the Cock's Comb".1960 Houston
Cullinan Hall, Museum of Fine Arts, Houston, From Gauguin to Gorky, October 20–December 11, 1960, no. 25, ill. in b/w, pp. 22–23.1961 Pittsburgh
Carnegie Institute, Department of Fine Arts, Pittsburgh, Paintings from the Albright Knox Art Gallery, January 10–February 19, 1961, no. 15.1961 New Haven
Yale University Art Gallery, New Haven, Connecticut, Paintings and Sculpture from the Albright Art Gallery, April 27–September 3, 1961, no. 26, as "The Liver is the Cock's Comb".1962 Venice
XXXI Biennale di Venezia: Internazionale d'Arte, U.S. Pavillion, Venice, Italy, Arshile Gorky, June 16–October 7, 1962, no. 13, p. 114, as "Il fegato è la cresta del gallo".1962–63b New York
Museum of Modern Art, New York, Arshile Gorky, 1904–1948, December 19, 1962–February 12, 1963. (Exhibition catalogue: Seitz 1962), no. 68, ill. in color, unpaginated plate between pp. 32–33; p. 54, as "The Liver is the Cock's Comb". Traveled to: Washington Gallery of Modern Art, D.C., March 12–April 14, 1963.1963–64 Minneapolis
Minneapolis Institute of Art, Four Centuries of American Art, November 27, 1963–January 19, 1964, ill. in b/w, p. 46, as "The Liver is the Cock's Comb".1964 Saint Louis
City Art Museum of Saint Louis, 200 Years of American Painting, April 1–May 31, 1964, ill. in b/w, p. 51, as "The Liver is the Cock's Comb".1965 AC–Brussels and Rotterdam
Arts Council of Great Britain, London (organizer), Arshile Gorky, Paintings and Drawings / Arshile Gorky: Schilderijen en Tekeningen, 1965, no. 69, ill. in color, as "De lever is de hanekam / The liver is the cock's comb". Traveled to: Palais des Beaux-Arts, Brussels, May 22–June 27, 1965; Museum Boymans van Beuningen, Rotterdam, the Netherlands, July 24–September 5, 1965 (Museum Boymans van Beuingen 1965).1965 AC–London
Arts Council of Great Britain, London (organizer), Tate Gallery, Arshile Gorky: Paintings and Drawings, April 2–May 2, 1965, no. 53, ill. in color, frontispiece, as "The Liver is the Cock's Comb".1966b New York
Whitney Museum of American Art, New York, Art of the United States 1670–1966, September 28–November 27, 1966, no. 108, ill. in color, p. 124, as "The Liver is the Cock's Comb".1967 Paris
M. Knoedler et Cie, Paris, Six peintres américains: Arshile Gorky, Franz Kline, Willem de Kooning, Barnett Newman, Jackson Pollock, Mark Rothko, October 19–November 25, 1967, ill. in color, as "The Liver is the Cock's Comb".1968 CE–MoMA
Museum of Modern Art, New York, Department of Circulating Exhibitions (organizer), Dada, Surrealism, and Their Heritage, 1968. (Exhibition catalogue: Rubin 1967), no. 137, ill. in b/w, fig. 265, p. 172, as "The Liver is the Cock's Comb," [Chicago: no. 137, ill. in b/w, p. 172; exhibited in New York and Chicago only]. Traveled to: Museum of Modern Art, New York, March 27–June 9, 1968; Los Angeles County Museum of Art, July 16–September 8, 1968; Art Institute of Chicago, October 19–December 8, 1968.1968a Washington, D.C.
National Gallery of Art, Washington, D.C., Paintings from the Albright-Knox Art Gallery, Buffalo, New York, May 19–July 21, 1968, ill. in color, p. 49, as "The Liver is the Cock's Comb".1969–70 Pasadena
Pasadena Art Museum, California, Painting in New York: 1944 to 1969, November 24, 1969–January 11, 1970, no. 1, ill. in b/w, p. 20, as "The Liver is the Cock's Comb".1972 Buffalo
Albright-Knox Art Gallery, Buffalo, New York, Abstract Expressionism: The First and Second Generations in the Albright-Knox Art Gallery, January 19–February 20, 1972, as "The Liver is the Cock's Comb".1978 Ithaca
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York (organized in collaboration with the Whitney Museum of American Art, New York), Abstract Expressionism: The Formative Years, March 30–May 14, 1978. (Exhibition catalogue: Hobbs and Levin 1978); (Exhibition catalogue: Levin 1978a); (Exhibition catalogue: Levin 1978b), as "The Liver Is the Cock's Comb". Traveled to: Seibu Museum of Art, Tokyo, June 17–July 12, 1978; Whitney Museum of American Art, New York, October 5–December 3, 1978.1981–82 New York
Solomon R. Guggenheim Museum, New York, Arshile Gorky 1904–1948: A Retrospective, April 24–July 19, 1981, no. 161, ill. in color, p. 189, as "The Liver Is in the Cock's Comb". Traveled to: Dallas Museum of Fine Arts, September 12–November 6, 1981; Los Angeles County Museum of Art, December 3, 1981–February 28, 1982.1983–84 Pittsburgh
Museum of Art, Carnegie Institute, Pittsburgh, Abstract Painting and Sculpture in America, 1927–1944, November 5–December 31, 1983, ill. in b/w, fig. 14, p. 156, as "The Liver is the Cock's Comb" (not exhibited). Traveled to: San Francisco Museum of Modern Art, January 26–March 25, 1984; Minneapolis Institute of Art, April 15–June 3, 1984; Whitney Museum of American Art, New York, June 28–September 9, 1984.1984 Miami
Center for the Fine Arts, Miami, In Quest of Excellence: Civic Pride, Patronage, Connoisseurship, January 14–April 22, 1984, no. 187, ill. in b/w, p. 55, as "The Liver Is in the Cock's Comb".1987 Buffalo
Albright-Knox Art Gallery, Buffalo, New York, Abstract Expressionism: The Critical Developments, September 19–November 29, 1987, no. 6, ill. in color, p. 172, as "The Liver is the Cock's Comb".1995–96 Fort Worth / Buffalo
Modern Art Museum of Fort Worth and Albright-Knox Art Gallery, Buffalo (organizers), Arshile Gorky: The Breakthrough Years, 1995–96, no. 6, ill. in color, p. 101; ill. in color, p. 65, as "The Liver Is in the Cock's Comb". Traveled to: National Gallery of Art, Washington, D.C., May 7–September 17, 1995; Albright-Knox Art Gallery, Buffalo, New York, October 13–December 31, 1995; Modern Art Museum of Fort Worth, Texas, January 13–March 17, 1996.2008–09a New York
Jewish Museum, New York, Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976, May 4–September 21, 2008, ill. in color, pl. 4, as "The Liver is the Cock's Comb". Traveled to: Saint Louis Art Museum, October 19, 2008–January 11, 2009; Albright-Knox Art Gallery, Buffalo, New York, February 13–May 31, 2009.2009–10 Philadelphia
Philadelphia Museum of Art, Arshile Gorky: A Retrospective, October 15, 2009–January 10, 2010. (Exhibition catalogue: Taylor 2009a), pl. 114, ill. in color, p. 275; p. 390, as "The Liver Is the Cock's Comb," [exhibited in Philadelphia only]. Traveled to: Tate Modern, London, February 10–May 3, 2010 (Gale 2010); Museum of Contemporary Art, Los Angeles, June 6–September 20, 2010 (Gale 2010).2019 Venice
Ca'Pesaro International Gallery of Modern Art, Venice, Italy, Arshile Gorky: 1904–1948, May 8–September 22, 2019, ill. in color, p. 113, as "The Liver Is the Cock's Comb".Literature
Coates 1944 likely
Coates, Robert M. "The Art Galleries." The New Yorker 20, no. 43 (December 9, 1944), discussed, p. 99, as "Painting".Janis 1944
Janis, Sidney. Abstract and Surrealist Art in America. New York: Reynal & Hitchcock, 1944, fig. 85, ill. in b/w, p. 120, as The Liver is the Coxcomb, Collection the artist.Tyler 1945a
Tyler, Parker. "The Limit of the Probable in Modern Painting." View (New York) 5, no. 1 (March 1945), discussed, p. 41, as "The Liver and the Coxcomb".Artnews 1948c
"Reviews and Previews: Arshile Gorky." Artnews (New York) 47 (December 1948), ill. in b/w, p. 54, as "Gorky's 1944 abstraction".de Kooning 1951
de Kooning, Elaine. "Gorky: Painter of his Own Legend." Artnews (New York) 49, no. 9 (January 1951), ill. in b/w, p. 41; discussed p. 65, as "The Liver Is in the Cock's Comb".Polley 1951
Polley, E.M. "Art and Artists: Memorial Exhibition." Vallejo Times-Herald (Vallejo, CA), May 27, 1951, discussed, p. 22, as "The Liver Is the Cock's Comb".Goodrich 1951a
Goodrich, Lloyd. "Eight Works by Arshile Gorky with Notes by Lloyd Goodrich." Magazine of Art (Washington, D.C.) 44 (February 1951), ill. in b/w, p. 60, as "The Liver is the Cock's Comb".Loftus 1952
Loftus, John. "Arshile Gorky: A Monograph." M.A. Thesis, Columbia University, New York, 1952, pl. XXV, ill. in b/w, as "The Liver is the Cock's Comb".Seitz 1952
Seitz, William C. "A Gorky Exhibit." The Daily Princetonian (Princeton, NJ), October 14, 1952, discussed, p. 2, as "The Liver Is a Cock's Comb".Coates 1953
Coates, Robert M. "The Art Galleries." The New Yorker 29 (February 28, 1953), discussed, p. 83, as "The Liver is the Cock's Comb".Fitzsimmons 1953
Fitzsimmons, James. "The Late Gorky." Art Digest (New York) 27 (March 1, 1953), discussed, p. 16, as "The Liver is the Cock's Comb".Mitchell 1953
Mitchell, Fred. "Gallery Previews in New York." Pictures on Exhibit XVI, no. 6 (March 1953), discussed, p. 22, as "The Liver Is a Cock's Comb".Krasne 1954
Krasne, Belle. "New York: Nine American Painters, Nine American Worlds." Art Digest (New York) 28, no. 8 (January 15, 1954), ill. in b/w, p. 11, as The Liver is the Coxcomb.Mooradian 1955
Mooradian, Karlen. "Arshile Gorky." Armenian Review (Watertown, MA) 8, no. 2 (Summer 1955), discussed, p. 57, as "The Liver is the Cock's Comb".Goodrich 1957
Goodrich, Lloyd. "Arshile Gorky." In New Art in America, John I.H. Baur, ed. Greenwich, CT: New York Graphic Society, 1957, ill. in color, p. 189, as "The Liver Is in the Cock's Comb".Schwabacher 1957
Schwabacher, Ethel. Arshile Gorky. Introduction by Meyer Schapiro. New York: The Macmillan Company for the Whitney Museum of American Art, 1957. Monograph, pl. III, ill. in color, as "The Liver is the Cock's Comb".Sidney Janis Gallery 1957
33 Paintings by Arshile Gorky. New York: Sidney Janis Gallery, 1957. Exhibition catalogue (1957f New York), no. 12, ill. in b/w, as "The Liver is the Cockscomb"; no. 40, ill. in b/w (in situ), as "Gallery View, Gorky Exhibition, February 1953".Smith 1957
Smith, Gordon M. "The Brave Buffalo." Artnews (New York) 56, no. 3 (May 1957), ill. in b/w, p. 32, as "The Liver Is a Cock's Comb".Sidney Janis Gallery 1958
10th Anniversary Exhibition. New York: Sidney Janis Gallery, 1958, no. 69, ill. in color, as "The Liver is the Cock's Comb".Rubin 1958a
Rubin, William. "The New York School—Then and Now: Part I." Art International (Paris) 2, nos. 2–3 (March–April 1958), discussed, p. 25, as "The Liver Is in the Cock's Comb".Jean 1960
Jean, Marcel. The History of Surrealist Painting. Translated by Simon W. Taylor. London: George Weidenfeld & Nicolson Ltd, 1960, ill. in b/w, p. 329, as The Liver is the Coxcomb.Barilli 1961
Barilli, Renato. "La Pittura di Arshile Gorky." La Biennale 43 (April–June 1961), ill. in b/w, p. 15, as "The Liver is the Cock's Comb".Reiff 1961
Reiff, Robert F. "A Stylistic Analysis of Arshile Gorky's Art from 1943–1948." Ph.D. diss., Columbia University, New York, 1961, fig. 20, ill. in b/w, p. 298, as "The Liver is the Cock's Comb".Rosenberg 1961
Rosenberg, Harold. "Arshile Gorky, His Art and His Influence." Portfolio & Artnews Annual (New York), no. 5 (1961), ill. in color, p. 111, as "The Liver is the Cock's Comb".Rosenberg 1962a
Rosenberg, Harold. Arshile Gorky: The Man, the Time, the Idea. New York: Horizon Press, 1962. Monograph, ill. in color, pp. 18–19, as "The Liver is the Cock's Comb".Kiplinger 1963
Kiplinger, Suzanne. "Arshile Gorky." The Village Voice (New York), January 3, 1963, discussed, p. 9, as "The Liver is the Cock's Comb".Kramer 1963
Kramer, Hilton. "Art." The Nation (New York) 196 (January 12, 1963), discussed, p. 39, as "The Liver is the Cock's Comb".Rubin 1963
Rubin, William. "Arshile Gorky, Surrealism, and the New American Painting." Art International (Paris) 7, no. 2 (February 25, 1963), ill. in b/w, p. 33, as "The Liver is the Cock's Comb".Reiff 1963a
Reiff, Robert. "The Late Works of Arshile Gorky: A Critical Estimate." Art Journal (New York) 22, no. 3 (Spring 1963), fig. 1, ill. in b/w, p. 150, discussed, pp. 149–50, as "The Liver Is in the Cock's Comb".Ashton 1963b
Ashton, Dore. "New York." Das Kunstwerk (Stuttgart, Germany) 16, no. 10 (April 1963), discussed, p. 31, as "The Liver is the Cock's Comb".Ashton 1964
Ashton, Dore. "La voix du tourbillon dans l'Amérique de Kafka." XXe siècle (Paris) nouvelle série, XXVIe année (May 1964), ill. in b/w, p. 92, as "The Liver is the Cock's Comb".Hoyland 1965
Hoyland, Francis. "The composer." The Listener (London) (April 15, 1965), discussed, p. 568, as "The Liver is the Cock's Comb".Leider 1965
Leider, Philip. "The New York School in Los Angeles." Artforum (Los Angeles) 4 (September 1965), discussed, p. 8, as "The Liver is the Cock's Comb".Levy 1966
Levy, Julien. Arshile Gorky. New York: Harry N. Abrams, Inc., 1966. Monograph, pl. 95, ill. in color, p. 119, as "The Liver Is the Cock's Comb".Messer 1966
Messer, Thomas M. "Kandinsky en Amérique." XXe siècle (Paris) 26 (December 1966), ill. in b/w, p. 117, as "The Liver is the Cock's Comb".Rose 1967
Rose, Barbara. American Art Since 1900: A Critical History. New York & Washington: Frederick A. Praeger, Inc., 1967, fig. 6–18, ill. in color, p. 171, as "The Liver is the Cock's Comb".Rubin 1967
Rubin, William. Dada, Surrealism, and Their Heritage. New York: The Museum of Modern Art, 1967. Exhibition catalogue (1968 CE–MoMA), no. 137, ill. in b/w, p. 172, as "The Liver is the Cock's Comb".Christensen 1968
Christensen, Erwin O. A Guide to Art Museums in the United States. New York: Dodd, Mead & Company, 1968, fig. 230, ill. in b/w, p. 103, as "The Liver is the Cock's Comb".Passeron 1968
Passeron, René. Histoire de la peinture surréaliste. Paris: Librairie Le Livre de Poche, 1968, fig. 139, ill. in b/w, p. 244, as "Le Foie est la crête du coq".Rubin 1968
Rubin, William S. Dada and Surrealist Art. New York: Harry N. Abrams, Inc., 1968, pl. LVII, ill. in color, p. 403, as "The Liver Is the Cock's Comb".Alexandrian 1969
Alexandrian, Sarane. L'art surréaliste. Paris: Fernand Hazan, 1969, fig. 176, ill. in b/w, p. 175, as "Le Foie est la crête du coq".Alexandrian 1970
Alexandrian, Sarane. Surrealist Art. New York and Washington, D.C.: Praeger Publishers, 1970, fig. 175, ill. in b/w, p. 175, as "The Liver is the Cock's Comb".Sandler 1970
Sandler, Irving H. The Triumph of American Painting: A History of Abstract Expressionism. New York: Praeger Publishers, 1970, fig. 3–14, ill. in b/w, p. 57, as "The Liver is the Cock's Comb".LACMA 1971
Los Angeles County Museum of Art. New York School: the First Generation, Paintings of the 1940s and 1950s. Foreword by Maurice Tuchman. Rev. ed. Greenwich, CT: New York Graphic Society Ltd., 1971, fig. 27, ill. in b/w, p. 62, as "The Liver is the Cock's Comb".Breton 1972
Breton, André. Surrealism and Painting. Translated by Simon Watson Taylor. New York, Evanston, San Francisco, London: Icon Editions, Harper & Row, Publishers, 1972, ill. in b/w, p. 199, as The Liver is the Coxcomb.Albright-Knox Art Gallery 1973
Albright-Knox Art Gallery. Contemporary Art, 1942–72: Collection of the Albright-Knox Art Gallery. New York: Prager, 1973, ill. in color, p. 24, as "The Liver Is in the Cock's Comb".Hunter 1973
Hunter, Sam. American Art of the Twentieth Century. With sections on architecture by John Jacobus. New York: Harry N. Abrams, 1972, 1973, pl. 386, ill. in color, p. 214, as "The Liver is the Cock's Comb".Calas 1975
Calas, Nicolas. "A Tough Nut to Crack." Artforum (New York) 13 (May 1975), ill. in b/w, p. 48, as "The Liver is the Cock's Comb".Jordan 1976
Jordan, Jim. M. "Arshile Gorky at Crooked Run Farm." Arts Magazine (New York) 50, no. 7 (March 1976), discussed, p. 100, as "The Liver is the Cock's Comb".Karp 1976
Karp, Diane. "Arshile Gorky's Iconography." Arts Magazine (New York) 50, no. 7 (March 1976), discussed, p. 84.Reiff 1976
Reiff, Robert. "Arshile Gorky's Object Matter." Arts Magazine (New York) 50, no. 7 (March 1976), ill. in b/w, p. 92, as "The Liver Is in the Cock's Comb".Hobbs and Levin 1978
Hobbs, Robert C. and Gail Levin. Abstract Expressionism: The Formative Years. Ithaca, NY and London: Cornell University Press, 1978. Exhibition catalogue (1978 Ithaca), ill. in color, cover (second edition only), as "The Liver is the Cock's Comb".Myers 1978
Myers, Linda. "Johnson Exhibit Parallels a Child's Sense of Wonder." Ithaca Journal (NY), March 31, 1978, ill. in b/w, p. 6, as "The Liver is the Cock's Comb".Pohribny 1978
Pohribny, Arsén. Abstrakte Malerei. Freiburg, Basel, Vienna: Herder, 1978, no. 45, ill. in color, p. 79, as "Die Leber ist der Hahnenkamm".Rathbone 1978
Rathbone, Eliza E. "Arshile Gorky: The Plow and the Song." In American Art at Mid-Century: The Subjects of the Artist. Washington, D.C.: National Gallery of Art, 1978. Exhibition catalogue, fig. 21, ill. in b/w, p. 73, as "The Liver Is the Cock's Comb".Levin 1978b
Levin, Gail. "Arshile Gorky (1904–1948)." In Abstract Expressionism: The Formative Years. Ithaca, NY and London: Cornell University Press, 1978. Exhibition catalogue (1978 Ithaca), fig. 62, ill. in b/w, p. 71, as "The Liver is the Cock's Comb".Brown 1979
Brown, Milton W., Sam Hunter, et al. American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography. Theresa C. Brakeley. New York: Harry N. Abrams, 1979, ill. in b/w, p. 479, pl. 520, as "The Liver Is in the Cock's Comb".Pohribny 1979
Pohribny, Arsén. Abstract Painting. Oxford and New York: Phaidon Press Limited and E.P. Dutton, 1979, no. 45, ill. in color, p. 79, as The Liver is the Coxcomb.Schwartz 1979a
Schwartz, Ellen. "The birth of Abstract Expressionism." Artnews (New York) 78, no. 1 (January 1979), ill. in b/w, p. 78, as "The Liver Is in the Cock's Comb".Brach 1981
Brach, Paul. "Gorky's Secret Garden." Art in America (New York) 69, no. 8 (October 1981), ill. in color, p. 125, as "The Liver is the Cock's Comb".Danelutti 1981
Danelutti, Luigi. "Dipingere a New York." Il Piccolo Illustrato (Trieste) (June 20, 1981), ill. in b/w (upside down), as "The Liver is the Cock's Comb," "El hígado es el nido del gallo".Freedman 1981
Freedman, Adele. "An Artist's Descent into Death: Gorky's Early Years Were Chaotic, His Later Ones Were Even Worse." The Globe and Mail (Toronto), June 9, 1981, discussed, p. 15, as "The Liver is the Cock's Comb".Giachetti 1981
Giachetti, Romano. Il segreto di Achille. La Repubblica (Rome), May 30, 1981, ill. in b/w, p. 18, as "The Liver is the Cock's Comb".Hughes 1981
Hughes, Robert. "Art: The Triumph of Achilles the Bitter." Time (New York) 117, no. 19 (May 11, 1981), ill. in color, p. 81, as "The Liver Is the Cock's Comb".Jordan 1981
Jordan, Jim M. "Gorky at the Guggenheim." Art Journal (New York) 41, no. 3 (Fall 1981), fig. 19, ill. in b/w, p. 263, as "The Liver is the Cock's Comb".Kutner 1981
Kutner, Janet. "Talented, Tormented Artist Honored." Dallas Morning News, July 19, 1981.Lynch 1981
Lynch, Kevin. "Gorky Show a Saga of Life and Art." The Milwaukee Journal, June 21, 1981, ill. in b/w, as "The Liver is the Cock's Comb".Mills 1981
Mills, James. "New York, London Treasure-Troves of Art." The Sunday Denver Post, May 31, 1981, ill. in b/w, p. 77, as "The Liver is the Cock's Comb".Morgan 1981
Morgan, S. "Becoming Arshile Gorky." Artscribe (London), no. 31 (October 1981), ill. in b/w, p. 21, as "The Liver is the Cock's Comb".Rand 1981
Rand, Harry. Arshile Gorky: The Implication of Symbols. Montclair, NJ: Allanheld, Osmun & Co. Publishers Inc., and London: George Prior Associated Publishers Ltd., 1981. Monograph, fig. 12–8, ill. in b/w, p. 185, as "The Liver is the Cock's Comb".Ratcliff 1981
Ratcliff, Carter. "Gorky's Search." Saturday Review (New York) (August 1981), ill. in color, p. 67, as "The Liver is the Cock's Comb".Sue et al 1981
Sue, David, and Derald Wing Sue, and Stanley Sue. Understanding Abnormal Behavior. Boston: Houghton Mifflin Company, 1981, ill. in color, cover, as "The Liver is the Cock's Comb".Waldman 1981
Waldman, Diane. "Arshile Gorky: Poet in Paint." In Arshile Gorky 1904–1948: A Retrospective. New York: Harry N. Abrams, Inc. in collaboration with The Solomon R. Guggenheim Foundation, 1981. Exhibition catalogue, discussed, p. 53, as "The Liver Is in the Cock's Comb".Wolff 1981a
Wolff, Theodore F. "Gorky—Crucial Artist of America's Postwar Era." Christian Science Monitor (Boston) (May 13, 1981), ill. in b/w, p. 18, as "The Liver is the Cock's Comb".Russell 1981b
Russell, John. "Guggenheim Retrospective Charts Arshile Gorky's Passion for Art." New York Times, April 24, 1981, discussed, p. C20, as "The Liver Is a Cock's Comb".Ashton 1982
Ashton, Dore. American Art Since 1945. New York: Oxford University Press, 1982, no. 1, ill. in b/w, p. 17, as "The Liver is the Cock's Comb".Karp 1982
Karp, Diane. "Arshile Gorky: The Language of Art." Ph.D. diss., University of Pennsylvania, Philadelphia, 1982, fig. 83, ill. in b/w, p. 251, as "The Liver is the Cock's Comb".Millard 1982
Millard, Charles W. "Arshile Gorky." The Hudson Review (New York) 35, no. 1 (Spring 1982), discussed, p. 110, as "The Liver is the Cock's Comb".Jordan 1982a
Jordan, Jim M. "The Paintings of Arshile Gorky: New Discoveries, New Sources, and Chronology." In The Paintings of Arshile Gorky: A Critical Catalogue, by Jim M. Jordan and Robert Goldwater. New York and London: New York University Press, 1982, discussed, pp. 83–85, 89–90, as "The Liver is the Cock's Comb".Jordan 1982b
Jordan, Jim M. "Catalogue Raisonné of Paintings." In The Paintings of Arshile Gorky: A Critical Catalogue, by Jim M. Jordan and Robert Goldwater. New York and London: New York University Press, 1982, no. 281, ill. in b/w, pp. 432–35, as "The Liver is the Cock's Comb".Seitz 1983
Seitz, William C. Abstract Expressionist Painting in America. Cambridge, MA and London: Harvard University Press for the National Gallery of Art, 1983, fig. 70, ill. in color, as "The Liver Is in the Cock's Comb".Hurlburt 1984
Hurlburt, Roger. "A Masterful Debut." Fort Lauderdale News/Sun-Sentinel (FL), January 29, 1984, ill. in b/w, p. 1E, as "The Liver is the Cock's Comb".Lader 1985
Lader, Melvin P. Arshile Gorky. New York: Abbeville Press, 1985. Monograph, fig. 74, ill. in color, p. 79, as "The Liver is the Cock's Comb".Levin 1986
Levin, Gail. "Surrealisten in New York und ihr Einfluß auf die amerikanische Kunst." In Europa/Amerika: Die Geschichte einer künstlerischen Faszination seit 1940, translated by Elisabeth Brockmann. Cologne: Museum Ludwig Köln, 1986. Exhibition catalogue, fig. 8, ill. in b/w, p. 78, as "The Liver ist the Cock's Comb (Die Leber ist der Hahnenkamm)".Kuspit 1987b
Kuspit, Donald. "Arshile Gorky: Images in Support of the Invented Self." In Abstract Expressionism: The Critical Developments. New York: Harry N. Abrams, Inc., 1987. Exhibition catalogue, discussed, p. 61, as "The Liver is the Cock's Comb".Matthews 1988
Matthews, J. H. "André Breton and Painting: The Case of Arshile Gorky." Dada/Surrealism (Iowa City) 17 (1988), ill. in b/w, p. 41; discussed, pp. 40–43, as "The Liver Is the Cock's Comb".Waldman 1988
Waldman, Diane. Willem de Kooning. New York: Harry N. Abrams, 1988, fig. 57, ill. in b/w, p. 76, as "The Liver Is the Cock's Comb".Wechsler 1989
Wechsler, Jeffrey. "Abstract Expressionism: Other Dimensions: An introduction to small scale painterly abstraction in America, 1940–1965." In Abstract Expressionism: other dimensions: An introduction to small scale painterly abstraction in America, 1940–1965. Rutgers, NJ: The Jane Voorhees Zimmerli Art Museum, 1989. Exhibition catalogue, discussed, p. 123, as "The Liver is the Cock's Comb".Hughes 1990
Hughes, Robert. "Art: The Triumph of Achilles the Bitter." Time (New York) 117, no. 19 (May 11, 1981). In Nothing If Not Critical: Selected Essays on Art and Artists. New York: Alfred A. Knopf, 1990, discussed, p. 222–23, as "The Liver is the Cock's Comb".Anfam 1990a
Anfam, David. Abstract Expressionism. New York: Thames & Hudson, 1990, fig. 61, ill. in color, p. 88, as "The Liver Is the Cock's Comb".Anfam 1990c
Anfam, David. "Convulsive Images." Art International (Paris) 11 (Summer 1990), discussed, p. 100, as "The Liver is the Cock's Comb".Pierre 1991
Pierre, José. "Arshile Gorky: Le Foie est la crête du coq." In André Breton: la beauté convulsive. Paris: Éditions du Centre Pompidou, 1991. Exhibition catalogue, ill. in b/w, p. 367, as "Le Foie est la crête du coq".Rand 1991
Rand, Harry. Arshile Gorky: The Implication of Symbols. Rev. ed. Berkeley and Los Angeles: University of California Press, 1991. Monograph, fig. 12–8, ill. in b/w, p. 208, as "The Liver Is the Cock's Comb".Yenawine 1991
Yenawine, Philip. How To Look at Modern Art. New York: Harry N. Abrams, 1991, ill. in color, p. 82, as "The Liver is the Cock's Comb".Lader 1992
Lader, Melvin P. "Arshile Gorky: A Modern Artist in the Academic Tradition / Arshile Gorky: Un Artista Moderno Nella Tradizione Accademica." In Arshile Gorky: Works on Paper / Opere su Carta. Rome: Edizioni Carte Segrete, 1992. Exhibition catalogue, fig. 10, ill. in b/w, p. 29, as "The Liver Is in the Cock's Comb".Auping 1995
Auping, Michael. "An Erotic Garden." In Arshile Gorky: The Breakthrough Years, Karen Lee Spaulding, ed. Fort Worth, Texas: Modern Art Museum of Fort Worth, in association with Rizzoli, New York, 1995. Exhibition catalogue, ill. in color, p. 65, as "The Liver Is in the Cock's Comb," Also a detail ill. in color on p. 62. Another detail ill. in color on pp. 72, 73.Bevan 1995
Bevan, Roger. "Autumnal Gorky." The Art Newspaper (London) 6 (May 1995), discussed, p. 13, as "The Liver is the Cock's Comb".Forbes 1995
Forbes, Elizabeth. "Arshile Gorky show pulls together art from his best years." Democrat and Chronicle (Rochester, NY), November 29, 1995, discussed, p. 3C, as "The Liver Is the Cock's Comb".Kimmelman 1995
Kimmelman, Michael. "A Restless Borrower, and His Own Man." New York Times, May 21 1995, ill. in b/w, sec. 2, p. 33, as "The Liver Is in the Cock's Comb".Polcari 1995
Polcari, Stephen. "Baltimore and Buffalo: Arshile Gorky." The Burlington Magazine (London) 137, no. 1111 (October 1995), fig. 67, ill. in b/w, p. 710, as "The Liver is the Cock's Comb".Sawin 1995
Sawin, Martica. Surrealism in Exile and the Beginning of the New York School. Cambridge, MA, and London: The MIT Press, 1995, ill. in b/w, p. 330, as "The Liver is the Cockscomb".Weil 1995
Weil, Rex. "Arshile Gorky." Artnews (New York) 94 (September 1995), ill. in b/w, p. 147, as "The Liver is the Cock's Comb".Akiskal and Akiskal 1996
Akiskal, Kareen K., and Hagop S. Akiskal. "Abstract Expressionism as Psychobiography: The Life and Suicide of Arshile Gorky." In Depression and the Spiritual in Modern Art: Homage to Miró, Schildkraut, Joseph J. and Aurora Otero, eds. Chichester (U.K.) and New York: John Wiley, 1996, fig. 19–7, ill. in color, p. 232, as "The Liver is the Cock's Comb".Irvine 1996
Irvine, Madeline. "Melting into Gorky's style." Austin American-Statesman, February 22, 1996, ill. in b/w, p. 35, as "The Liver is the Cock's Comb".Ades 1997
Ades, Dawn. Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago. Margherita Andreotti, ed. Chicago and New York: Art Institute of Chicago and Thames and Hudson, 1997, discussed, p. 144, as "The Liver is the Cock's Comb".Dervaux 1998
Dervaux, Isabelle. "Détail, analogie et mimétisme: De l'inspiration de la nature dans les abstractions de Arshile Gorky." Les Cahiers du Musée National d'Art Moderne (Paris) 65 (Autumn 1998), ill. in b/w, p. 65, as "The Liver is the Cock's Comb".Matossian 1998a
Matossian, Nouritza. "Arshile Gorky's Lost World: A Personal Quest for the Armenian Sources of Gorky's Art." Modern Painters (New York) 11 (Winter 1998), ill. in color, p. 73, as "The Liver is the Cock's Comb".Matossian 1998b
Matossian, Nouritza. Black Angel: The Life of Arshile Gorky. London: Chatto & Windus, 1998, color pl. 7, ill., as "The Liver is the Cock's Comb".Blistène 1999
Blistène, Bernard. "États-Unis: de l'expressionnisme abstrait au minimalisme." Beaux Arts Magazine (Paris) 182 (July 1999), ill. in color, p. 83, as "Le Foie est le peigne du coq".Spender 1999
Spender, Matthew. From a High Place: A Life of Arshile Gorky. New York: A.A. Knopf, 1999, ill. in b/w, p. 262, as "The Liver is the Cock's Comb".Karmel 2002
Karmel, Pepe. "Arshile Gorky: Anatomical Blackboard." Master Drawings (New York) 40 (2002), fig. 9, ill. in color, p. 16, as "The Liver is the Cock's Comb".Herrera 2003
Herrera, Hayden. Arshile Gorky: His Life and Work. New York: Farrar, Straus, and Giroux, 2003, fig. 158, ill. in color, as "The Liver is the Cock's Comb".Lee 2003
Lee, Janie C. "Arshile Gorky: The Power of Drawing." In Arshile Gorky: A Retrospective of Drawings. New York: Whitney Museum of American Art and Harry N. Abrams, 2003. Exhibition catalogue, fig. 16, ill. in color, p. 67, as "The Liver is the Cock's Comb".Johnson 2004
Johnson, Patricia C. "Exhibit Reveals Gorky's Genius: Menil Collection Shows 140 of Artist's Works." Houston Chronicle, March 6, 2004, discussed, p. 9D, as "The Liver is the Cock's Comb".Beredjiklian 2007
Beredjiklian, Alexandre. Arshile Gorky: sept thèmes majeurs. Suresnes, France: Alphamédian & Johanet; Lisbon: Fondation Calouste Gulbenkian, 2007. Monograph, discussed, p. 71, as "Le Foie est la crête du coq".Avakian 2008
Avakian, Florence. "As Arshile Gorky's Prestige Grows, His Armenian Experience Must Not Be Forgotten." The Armenian Reporter (New York), July 5 2008, ill. in b/w, as "The Liver is the Cock's Comb".Budick 2009
Budick, Ariella. "Arshile Gorky, Philadelphia Museum of Art." The Financial Times (London), November 2, 2009 (accessed online), ill. in color, as "The Liver is the Cock's Comb".Cooksey 2009
Cooksey, Chelsea L. "Arshile Gorky: The Abstraction of Symbol, Figure, and Form." M.A. Thesis, Purchase College, State University of New York, 2009, fig. 25, ill. in color (with incorrect caption details), p. 65, as "The Liver is the Cock's Comb".Cotter 2009
Cotter, Holland. "From Mimic to Master of Invention." New York Times, October 23, 2009, ill. in color, p. C27, as "The Liver Is the Cock's Comb".Dabrowski 2009
Dabrowski, Colin. "Albright-Knox puts its stamp on new Postal Service series." The Buffalo News (NY), December 29, 2009 (accessed online), discussed, as "The Liver Is in the Cock's Comb".Funk 2009
Funk, Clayton. Contemporary Art Culture. Dubuque, IA: Kendall Hunt Publishing, 2009, ill. in color, p. 8, as "The Liver is the Cock's Comb".Lacayo 2009
Lacayo, Richard. "The Shape Shifter." Time (New York) 174, no. 18 (November 9, 2009), ill. in color, p. 60, as "The Liver is the Cock's Comb".Mattison 2009
Matttison, Robert S. Arshile Gorky: Works and Writings. Barcelona: Ediciones Polígrafica, 2009. Monograph, ill. in color, p. 84, as "The Liver is the Cock's Comb".Patton 2009
Patton, Elizabeth. "Arshile Gorky's Tragic Life, Triumphant Work." Intelligencer Journal / Lancaster New Era (PA), December 23, 2009, ill. in color, as "The Liver is the Cock's Comb".Sozanski 2009
Sozanski, Edward. "Art: Arshile Gorky: Art and Anguish." Philadelphia Inquirer, October 25 2009, ill. in color (online only), as "The Liver is the Cock's Comb".Voves 2009
Voves, Ed. "Arshile Gorky: A Retrospective at the Philadelphia Museum of Art." California Literary Review (Carlsbad, CA) (November 9 2009), ill. in color, as "The Liver is the Cock's Comb".Theriault 2009a
Theriault, Kim S. Rethinking Arshile Gorky. University Park, PA: Pennsylvania State University Press, 2009. Monograph, pl. 17, ill. in color, as "The Liver Is in the Cock's Comb".Taylor 2009c
Taylor, Michael R. "Gorky and Surrealism." In Arshile Gorky: A Retrospective, edited by Michael Taylor. Philadelphia: Philadelphia Museum of Art, 2009. Exhibition catalogue, fig. 102, ill. in b/w (in situ), as "The Liver is the Cock's Comb," in "'Exposition Internationale du Surréalisme,' Galerie Maeght, Paris, 1947".Alberro 2010
Alberro, Alexander. "The Apprenticeship of Arshile Gorky: On Arshile Gorky at the Philadelphia Museum of Art." Texte zur Kunst (Cologne) 77 (March 2010), discussed, pp. 149, 212, as "The Liver is the Cock's Comb".Gale 2010
Gale, Matthew. Arshile Gorky: Enigma and Nostalgia. London: Tate Publishing, 2010. Exhibition catalogue (2009–10 Philadelphia), no. 31, ill. in color, p. 69, as "The Liver is the Cock's Comb".Spender 2010
Spender, Matthew. Una storia armena Vita di Arshile Gorky. Florence: Barbès Editore, 2010, ill. in b/w, p. 295; p. 428, as "The Liver is the Cock's Comb".Robbins 2012
Robbins, Christa Noel. "Harold Rosenberg on the Character of Action." Oxford Art Journal (U.K.) 35, no. 2 (2012), fig. 5, ill. in color, p. 211; discussed pp. 209, 211–13, as "The Liver is the Cock's Comb".Frankenthaler et al 2013
Frankenthaler, Helen, et al. Painted on 21st Street: Helen Frankenthaler from 1950 to 1959. New York: Gagosian Gallery, 2013. Exhibition catalogue, fig. 4, ill. in color, p. 14, as "The Liver is the Cock's Comb".Merjian 2015
Merjian, Ara H. "Where is Surrealism? Painted Spaces from Dreamscape to Inscape." In Fields of Dream: The Surrealist Landscape. New York: Di Donna Galleries, 2015. Exhibition catalogue, fig. 30, ill. in color, p. 92, as "The Liver is the Cock's Comb".Devaney 2017
Devaney, Edith. "Repossessing Nature." In Ardent Nature: Arshile Gorky Landscapes, 1943–47. Zurich: Hauser & Wirth Publishers, 2017. Exhibition catalogue, ill. in color, p. 29, as "The Liver is the Cock's Comb".Carrier 2019
Carrier, David. "Arshile Gorky 1904-1948." The Brooklyn Rail (NY) (July–August 2019), ill. in color, as "The Liver is the Cock's Comb".Taylor 2019
Taylor, Michael R. "Arshile Gorky and Frederick Kiesler: 'Elective Affinities.'" In Frederick Kiesler: Face to Face with the Avant-Garde: Essays on Network and Impact, edited by Peter Bogner, Gerd Zillner, Frederick Kiesler Foundation. Basel: Birkhäuser, 2019, figs. 5 and 6, ill. in b/w (in situ), p. 277; discussed pp. 272–74, 276–77, as "The Liver is the Cock's Comb".Robbins 2021
Robbins, Christa Noel. Artist as Author: Action and Intent in Late-Modernist American Painting. Chicago and London: The University of Chicago Press, 2021, fig. 1.4, ill. in b/w, p. 36; discussed, pp. 34, 37, as "The Liver Is the Cock's Comb".Notes
The canvas was relined and the stretcher bars replaced.
Commentary
The painting's overall composition is closely referenced in one known drawing (see related work).
When the painting was first reproduced, in Sidney Janis’ 1944 book Abstract and Surrealist Art in America, it was titled The Liver is the Coxcomb (Collection of the Artist), and was accompanied with a brief statement by Gorky: "the song of a cardinal, liver, mirrors that have not caught reflection, the aggressively heraldic branches, the saliva of the hungry man whose face is painted with white chalk."1 For this reason, we have titled the work as it was published during Gorky’s lifetime. It should be noted that in 1948, not long after Gorky’s death, Julien Levy Gallery exhibited the work with the title exactly as it had appeared in the 1944 publication, namely: The Liver is the Coxcomb. In 1951, when the Whitney Museum of American Art exhibited the painting in a memorial exhibition of Gorky’s work, it somehow acquired the variant title The Liver is the Cock’s Comb, by which it has become best known.2
In a 1993 interview with Matthew Spender, Agnes "Mougouch" Gorky (1921–2013) intentionally refers to the title by its variant spelling, “cock’s comb," explaining: "Color had symbolic value for Gorky. It could itself be a part of the 'world of analogy.' The color yellow, for instance, Gorky associated with courage. He said in his country courage was associated with the liver. The 'cock's comb' was also a visible outward manifestation of courage. . . . All that is missing in the title is the word 'like.' The liver signifies courage, like [sic] the cock's comb."3
"Coxcomb" also has more than one meaning. It may allude to a plant known for its fiery red or yellow feathery flowers, the red crest on top of a rooster’s head, a dandy, or a jester’s cap adorned with a red plume resembling that of the rooster’s “comb.” Given Gorky’s range of interests, and his disdain for specificity in interpreting his work, it is easy to see how coxcomb’s multiple meanings would have appealed to him. Evincing this range of interpretations, in an essay written for Gorky's debut solo show at the Julien Levy Gallery in March 1945, the Surrealist poet André Breton (1896–1966) proclaimed that the painting "should be considered the great open door to the analogy world."4
The painting was a gift to the Gorky family's close friend Jean Hebbeln (1914–1956), who studied sculpture at Cranbrook Academy of Art in the late 1930s and was introduced to the Gorkys by their mutual friends Serge (1900–1996) and Barbara (1904–2000) Chermayeff.5 Mougouch later recalled that the painting was created in thanks for a significant sum of money Jean had generously given to her and Gorky: "'When I came home with a thousand dollars Gorky couldn't believe it. Our happiness absolutely exploded and then Gorky went and started to paint [P281] as a result of that gift of Jean's. . . . [The gift] wasn't in exchange for a painting, nothing. He was so full of relief. I can't tell you what it is like to always be at the end of your tether. And when Gorky was doing this painting, he said, 'Give it to Jean.' And he gave it to her.'"6
1. Janis requested the description to accompany an illustration of the painting in his forthcoming book: Sidney Janis, Abstract and Surrealist Art in America (New York: Reynal & Hitchcock, 1944), 120. Sidney Janis, interview by Karlen Mooradian, October 7, 1965, Arshile Gorky/Mooradian Archive, Eastern Diocese of the Armenian Church of America, New York.
2. This is also the spelling that appears in Jim M. Jordan's catalogue raisonné. Jim M. Jordan, "Catalogue Raisonné of Paintings," in Jim M. Jordan and Robert Goldwater, The Paintings of Arshile Gorky: A Critical Catalogue (New York and London: New York University Press, 1982), 432.
3. Agnes Gorky Fielding, "How Breton and Gorky Worked on Titles," December 22–28, 1993, in Matthew Spender, ed., Arshile Gorky: The Plow and the Song: A Life in Letters and Documents (Zurich: Hauser & Wirth Publishers, 2018), 336.
4. André Breton, "The Eye-Spring – Arshile Gorky," in Arshile Gorky (New York: Julien Levy Gallery, 1945), n.p., translated from French by Julien Levy; reprinted in Spender, ed., 340.
5. Hayden Herrera, Arshile Gorky: His Life and Work (New York: Farrar, Straus, and Giroux, 2003), 437.
6. Agnes Gorky Fielding, as quoted in ibid, 437–38.
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