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Commentary
In an interview published in the September 15, 1926, edition of the New York Evening Post, Gorky praised modern art and named Paul Cezanne (1839–1906), Henri Matisse (1869–1954), and Pablo Picasso (1881–1973) as "greater artists than the old masters."1 Of these, he continued, "Cézanne is the greatest artist, shall I say, that has lived."2 A number of Gorky's early paintings convey his intense study of Cezanne, including this self-portrait.
Although the title is identified as lifetime in Jim M. Jordan's catalogue raisonné, there is no known extant documentation confirming its origin with the artist and we have therefore designated it as posthumous.3
The painting was a gift to the Swiss-American artist Hans Burkhardt (1904–1994) who immigrated to the United States in 1924. Burkhardt began taking lessons with Gorky at the Grand Central School of Art in New York in 1928 and studied privately with the artist from 1929 until around 1937, with a brief hiatus between 1931 and 1934.4 Around May 1937, Burkhardt moved to California, where he remained for the rest of his life.
1. "Fetish of Antique Stifles Art Here, Says Gorky Kin," New York Evening Post (September 15, 1926): 17.
2. Ibid.
3. Jim M. Jordan, "Catalogue Raisonné of Paintings," in The Paintings of Arshile Gorky: A Critical Catalogue, by Jim M. Jordan and Robert Goldwater (New York and London: New York University Press, 1982), 135.
4. Burkhardt provided conflicting accounts of this history and its timeline. See: Letter from Hans Burkhardt to Ethel K. Schwabacher, May 10, 1949, Arshile Gorky Research Collection (1936-1993), Francis Mulhall Achilles Library, Archives, Whitney Museum of American Art, New York; Hans Burkhardt, interview by Paul J. Karlstrom, November 25, 1974, Archives of American Art, Smithsonian Institution, Washington, D.C.