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Arshile Gorky Catalogue Raisonné

Catalogue Entry

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Provenance
The artist
Jeanne Reynal, New York (after 1941)
Harold Diamond, New York (by 1977)
[Susanne Hilberry Gallery, Birmingham, Michigan (1977)]
Detroit Institute of Arts (March 20, 1979)
Exhibitions
2009–10 Philadelphia
Philadelphia Museum of Art, Arshile Gorky: A Retrospective, October 15, 2009–January 10, 2010. (Exhibition catalogue: Taylor 2009a), pl. 44, ill. in color, pp. 200–1; p. 387, as "Study for Mural (Nighttime, Enigma, and Nostalgia)," dated c. 1931–32. Traveled to: Tate Modern, London, February 10–May 3, 2010 (Gale 2010); Museum of Contemporary Art, Los Angeles, June 6–September 20, 2010 (Gale 2010).
Literature
Lader et al 1994
Lader, Melvin P., Joseph P. Ruzicka, Martin Kline, and Sarah E. Lawrence. "Catalogue [of Plates]." In Arshile Gorky and the Genesis of Abstraction: Drawings from the Early 1930s. New York: Stephen Mazoh & Co., Inc., Distributed by the University of Washington Press, Seattle and London, 1994. Exhibition catalogue, fig. 24, ill. in b/w, p. 81, as "Untitled (Study for a mural incorporating the imagery of Nighttime, Enigma and Nostalgia)".
Notes
[Nighttime, Enigma, and Nostalgia: 1934], c. 1933–34, D0194. Gorky's personal copy of a reproduction of panels 3 and 4 from Miracle of the Desecrated Host (1467–1468) by Paolo Uccello.
Gorky's personal copy of a reproduction of panels 3 and 4 from Miracle of the Desecrated Host (1467–1468) by Paolo Uccello.
[Nighttime, Enigma, and Nostalgia: 1934], c. 1933–34, D0194. Panel 2. Paolo Uccello, Miracle of the Desecrated Host, c. 1467–69, oil on panel, 138 x 17 in. (350.3 x 43.2 cm). Galleria Nazionale della Marche, Urbino.
Panel 2. Paolo Uccello, Miracle of the Desecrated Host, c. 1467–69, oil on panel, 138 x 17 in. (350.3 x 43.2 cm). Galleria Nazionale della Marche, Urbino.

After works by other artists: Mario Tozzi; Paolo Uccello

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