Catalogue Entry
Reverse not inscribed
Reverse, in pencil, upper stretcher bar, left [likely not in artist's hand]: Arshel / Gorky / [?]/3[?]1/25
The reverse inscription information and marking on the upper stretcher bar are known from a photograph provided by the owner.
Commentary
The painting is after Auguste Rodin's (1840–1917) marble sculpture Pygmalion and Galatea, c. 1908–1909 (Metropolitan Museum of Art, New York).
The artist Stergis M. Stergis (1897–1987), who shared a studio with Gorky in the mid-1920s, recalled that Gorky painted this picture at the Metropolitan in a gallery devoted to Rodin's sculpture. In the same recollection, he writes: "The Rodin Gallery was right at the main entrance . . . [Gorky] set up his easel. . . . People were attracted and stood around watching him instead of going to the gallery. There was quite a crowd over there, every day, when he was painting."1
According to Stergis, the square indentations that are visible on the surface of the painting resulted from Gorky's creation of a taught scaling grid, made of string or cord, which he placed between the stretcher bars in each direction and removed only upon the painting's completion, before the surface had dried.2
A reproduction of the painting accompanies Gorky's faculty profile in the Grand Central School of Art's 1926–27 course catalogue. At the time, Gorky taught an evening class that focused on cast drawing and figure composition.3
1. The location of the Rodin Gallery "remained as it was [in 1912] for over a decade [located in Wing D, first floor, Room 13; today, Gallery 301], after which the Rodin collection was moved around on the Museum's first floor and eventually integrated into a gallery devoted to modern European sculpture." See: Elyse Nelson, "Sculpture on the Move: A Century of Rodin at The Met," Now at The Met, February 14, 2018, https://www.metmuseum.org/blogs/now-at-the-met/2018/history-of-auguste-rodin-at-the-met; Stergis M. Stergis, as quoted in Hayden Herrera, Arshile Gorky: His Life and Work (New York: Farrar, Straus, and Giroux, 2003), 136–37.
2. Stephani [Stergis] Denker, email to Julia May Boddewyn, July 29, 2019.
3. Grand Central School of Art, Grand Central Terminal Building, New York City, "Season 1926 to 1927: A Modern School of Art," 11, 19, AGF Archives.